An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

An elegy to Diane Burns on the shapes of mortality and being, and the forms the transcendent spirit takes while descending upon landscapes of life and death. A place for new mythologies to syncopate with deterritorialized movement and song, reifying old routes of reincarnation. Where resignation gives hope for another opportunity, another form, for a return to the vicissitudes of the living and all their refractions. 　　“I’m from Oklahoma I ain’t got no one to call my own. 　　If you will be my honey, I will be your sugar pie way hi ya 　　way ya hi ya way ya hi yo.” 　　— Diane Burns (1957-2006)

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Witty, playful and utterly magical, the story is a compelling romantic adventure in which Rosalind and Orlando's celebrated courtship is played out against a backdrop of political rivalry, banishment and exile in the Forest of Arden - set in 19th-century Japan.

An idealistic young woman's life begins to unravel when her job in social media exposes her to the darkest corners of humanity.

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A mysterious woman enters the life of Suk-won, a lawyer who has lost his memory. As their relationship develops, secrets embedded in his memory slowly surface.

Man works as a clerk in a shipping company. His life is truly non-eventful and dull, until he meets the beautiful but highly arrogant Karen. By day, Karen is a two-bit host of a home shopping network. When the sun is down, she frequents clubs and discos to fill her time and search for company. Man's affection towards Karen is obvious, but she thinks of him as nothing more than a friend, someone whom she can always rely on though not someone she will care for in return...

Inspired by stories of Polish musicians from the 1930s and 40s. Two young lovers, Robert, a Catholic opera singer, and Rachel, a Jewish violin virtuoso, dream of one day performing together at legendary Carnegie Hall. When they're torn apart by the German invasion of Poland, Robert vows to find Rachel, no matter what the war may bring. His search leads him on a life-threatening journey through the heart of Nazi Germany, to a reckoning that Rachel may be lost to him forever.